Taiwanese filmmaker Tsai Ming-liang is breaking free from traditional scripts and embracing creative freedom. His film, “Abiding Nowhere,” is a unique, plotless exploration of a barefoot monk’s wanderings in Washington DC.
Tsai acknowledges the unconventional nature of his work, which challenges audience expectations. His approach involves creating long, minimalist takes that resemble museum installations and poetry.
Despite facing commercial challenges, there is a clear audience for Tsai’s high art approach. His masterclass at the Berlinale was standing room only, showcasing the interest in his boundary-pushing filmmaking style.
Tsai also discusses the impact of technology on storytelling, expressing both fascination and concern for the abundance of images and the potential loss of aesthetic values in modern cinema.
With a restored version of his 2005 film “The Wayward Cloud” also screening at the festival, Tsai encourages audiences to witness his filmmaking progress and hints at future works without traditional scripts.
